Расшифровка славянского слогового и буквенного письма
However any individual conclusion demands confirmation. In this case it will be the skin of a dragon on which in positive reading, that is without the manipulation in color, but with turn on 90 grades to the right, word JASON (ЯСОН) is read, and at the manipulation in color in the same place, but hardly it is below possible to read words AND THE DRAGON. So confirmation is. But that me very much confuses, so this tracing of all skin transmitting its construction from scales, a Gothic font which as we know, has arisen in the Medieval Latin letter. Or it existed any earlier? Then in a word, the given text to us has thrown the next riddle.
Now we shall read inscriptions on a figure of the woman, first of all on her breast ornament. Directly under fat edge of the rock at the left it is read СКЛА, on the right ВЕ (a mark of runica) НИДА, that is СКЛАВЕНИДА (SCLAVENIDA). On the right part of a breast ornament it is possible to read words CHANGE of RUSSIA. Under inscription СКЛАВЕНИДА inscription SCLAVIANKA is read. At last, on a head of the woman it is possible to read a word GLORY.
Fig. 3. Kilik with the dragon picture
So, the number of words in the received text is insignificant: IT IS JASON (СЕ Ясон) AND THE DRAGON. SCLAVENIDA (Склавенида) - CHANGE OF RUSSIA. SCLAVIANKA (СКЛАВЯНКА). GLORY! - All these words 9. But we find out from them, that there was such area on the Earth as SCLAVENIDA - probably, just in that area of Caucasus which has visited Jason. By the way, in some cases names Tesey and Jason in Russian translations sound as Tezey and Jazon. In the given texts if they are really ancient, their true sounding on that time is given. And again we are compelled to ascertain: Athens near to Jason does not present any, before him is a Slavic woman without a name from SCLAVENIDA.
Fig. 4. My reading of inscriptions on kilik
Fig. 5. Image Tesey and Ariadna on stamnos from Apulia
Ariadna. Now we shall consider image of Ariadna and Tesey on stamnos from Apulia, concerning to approximately 390 year BC and stored in the Museum of Graceful Arts of Boston (3). Critics have named it “Tesey leaves sleeping Ariadna. There is an episode when overtaken by a storm at island Naxos Tesey, not wishing to carry Ariadna to Athens, has left her when she slept. Ariadna was sponsored by Aphrodite. So the basic characters here are determined, and the boy with wings on the second plan, it, most likely, Erot, aspiring to pull together Tesey and Ariadna.
Reading we shall start with an inscription on a breast of young man SE TESEY . On hair of the young man on the right the fat font traces I AM A SLAV, and at the left am more thin - ТЕСЕЙ СЕГЕИДЫ, that it is possible to understand as TESEY FROM AEGEIDA. The locks of hair which are beaten out from under a tape on a head of the Aphrodite give reading I HAVE MISTED OVER, that it is possible to understand as a recognition that the Aphrodite was flight on island Naxos with extreme high speed. On a breast ornament of the goddess we see the words I AM APHRODITE whereas the top string forms marks of a word at the left am read STAY HERE, and the thread is lower also marks on the right and downwards from her form words YOU, A FOREIGNER (ЧУЖЕСТРАНЕТС) that is YOU, the STRANGER. If the same ornament to turn in color, on it is possible to read a word FINE. Hardly more to the right and below there the word is read STAY.
Fig. 6. My reading of inscriptions on stamnos
The bottom of an ornament from the right breast of the goddess to the left in direct color is read as AND APHRODITE WILL GIVE YOU, in inverted - as A BELT, wrinkles between the left hand and blouse in area of an elbow it is possible to read as a word TO NIGHT. Further are read wrinkles frills at the top of a skirt under a belt as words TRUTH (is that) I (am), and her fringe - as a word STRONG. The wrinkles of skirts on a right hip draw a word STRONG; same wrinkles on the left shin and a hip are read as a word WITHOUT THE BELT AS WELL. Wrinkles frills on a hem of a skirt in inverted light form a word APHRODITE, and alternation of positive and negative letters can be read as a word DOES NOT TELL LIES. (I shall notice, that last statement is rather surprising: if the Aphrodite convinces, that she does not tell lies, means, there are cases when she lies meaningly). On it inscriptions on a body of the Aphrodite come to an end (or I could not find out them), and I pass(proceed) to reading inscriptions on laces of Ariadna’s bed between caviar of left leg Tesey and up to middle of left hip of Ariadna. In inverted light words are read FOR APHRODITE IT IS NOT NECESSARY, and then more to the right, under the lowered brush of Ariaddna’s hand, alternating positive and negative color letters – words ENTREATIES AND DESPAIR. On an edge separating scallops of a sheet on mattress, words SHE are read and in the inverted color PRESENTS, then in alternation of positive and negative letters THAT BELT, are higher fine font OF (SLAVIC GODDESS) LELYA, then more to the right – (OF) YOUTH AND PLEASURE. At last, on a shock of hear on heads Ариадны, it is possible to read in alternation of the direct and inverted color of word ARIADNA (above) SLEEPS POWERFULLY (below), and on складках skirts on a right hip – IN THE AFTERNOON. So, Ariadna has powerfully fallen asleep in the afternoon, and slept over the groom who has run away from her. It was contrary to intervention of the Aphrodite which was ready to help the girl with the magic belt.
As a result of reading the small story turns out: TESEY, TESEY FROM AEGEIDA. I AM A SLAV. I AM APHRODITE, I HAVE MISTED OVER. STAND HERE, THE STRANGER FINE, STAY! AND APHRODITE WILL PREZENT YOU A BELT TO NIGHT. THE TRUTH (IS THAT) I (AM) STRONG - STRONG WITHOUT THE BELT. APHRODITE DOES NOT TELL LIES. IT IS NOT NECESSARY FOR APHRODITE ENTREATIES AND DESPAIR, SHE PRESENTS THAT BELT OF (SLAVIC GODDESS) LELYA, OF YOUTH AND PLEASURE! - ARIADNA SLEEPS POWERFULLY IN THE AFTERNOON! Total - 50 words.
During Pushkin’s time such stories in images were named picture-runes. They differ from simple explanations that in them there are both speech from the first person, and presence of emotional retorts. So, for example, the Aphrodite in the given figure appeals to Tesey: Stand here, the stranger fine, stay! Or she speaks about herself: I am strong, strong as well without a belt. (As is known from the Greek mythology, the force of charming of Aphrodite consists in her magic belt). In the given fragment she gathers whether to lend it, whether to present to young girl). Thus, to us for the first time there is a curious narrative genre, as pictures - runes. And from this fact stronger statement follows, than it was possible for itself to allow, reading an inscription on Greek kiliks: If it was possible to assume, that inscriptions are in Russian written in figures of ancient Greek vessels were made only by chance by unfamiliar Slavic masters, now the conclusion should be opposite: stories were written obviously for Slavs as readers whereas for Greeks just any explanations and was not made! As it is one - to write 1-2 word in figure of that character, and absolutely another - to think over on roles the whole stage where poses of each character should be balanced, and for their retorts locks of hair, wrinkles on coverlets of furniture and other elements of a drawing should be stipulated, as well as numerous clothes’ wrinkles. With other words, not the text is entered in available figure, but the figures are planned under the conceived text! Besides creation of letters and marks with imposing of positive and negatively read graphic elements against each other is difficult enough and laborious work on a limit of resolution of a human eye, and nobody will double or triple to itself number of man-hours on drawing of such expensive elements of furnish on the ready image if on similar pictures there will be no steady demand. From these our reasoning the conclusion will be only one: ancient Greek inscriptions on vases were created for Slavs! But to make a competent inscription in Russian could only the Russian person. Existence of the big solvent market of Slavs in territory of ancient Greece now affirms.
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